sanguinity: Horatio Hornblower laughing while having a deck shower (Hornblower shower laughter)
sanguinity ([personal profile] sanguinity) wrote2025-08-26 01:48 pm
Entry tags:

Hornblower fanworks: art and playlist

I keep getting distracted by other things and not posting here, but two lovely people made tie-in fanworks for three of my Hornblower stories this... we'll call it summer, okay? (Shit, they were in February and March -- I am quite laggardly!)

Art [tumblr.com profile] 1ventipls aka [archiveofourown.org profile] Zeka for Gwir Good Gold

on tumblr // on dropbox // leave a comment for the artist

(story is explicit; art is non-explicit but has soft-focus nudity)


Art by [tumblr.com profile] 1ventipls aka [archiveofourown.org profile] Zeka for His Captain's Favour

on Dropbox // leave a comment for the artist

(story is explicit; art is non-explicit but suggestive with some nudity)


Playlist by [tumblr.com profile] vastwinterskies for Hornblower's Lost Honour

on tumblr // on Spotify // on YouTube


As always, I am impressed by the thought and care that went into these, and am deeply flattered by their creation!
umadoshi: (Middleman - specificity (cannons_fan))
Ysabet ([personal profile] umadoshi) wrote2025-08-26 03:24 pm
Entry tags:

Clarification about the actors in Glass Heart

The other day, my phrasing when I tried to describe what the Glass Heart actors are doing was not at all as clear as it should've been!

So: It's not that the main cast in this show are faking playing the instruments. It's that none of them are musicians at all, and they learned to play the specific material for the show well enough to visually pass not only as being able to play but as being very good (the male lead is explicitly a musical genius), with full shots of them doing bits of it rather than having body doubles or clever cuts or anything, AND doing some pretty heavy-lifting acting at the same time. (What I don't know is whether their performances pass as looking professional to actual professional musicians, but one of the supporting cast is an actual singer and seems pretty impressed with it.)

The making-of feature I linked in my last post is specifically about that aspect of the show/their performances.
sanguinity: HMS Lydia under tow from the 1951 Hornblower film (Hornblower - Lydia)
sanguinity ([personal profile] sanguinity) wrote2025-08-26 09:34 am
Entry tags:

Doctor Odyssey fic

Spoilers for the mid-season cliffhanger of Doctor Odyssey. (Which was back in March, so I'm not using a cut tag -- just unfocus your eyes and scroll past if you don't want to know.)

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Mifepristone With a Side of Gummi Bears (2316 words) by sanguinity
Chapters: 1/1
Fandom: Doctor Odyssey (TV)
Rating: General Audiences
Warnings: No Archive Warnings Apply
Relationships: Max Bankman/Avery Morgan/Tristan Silva
Characters: Avery Morgan, Max Bankman, Tristan Silva
Additional Tags: Alternate Universe - Canon Divergence, Episode: s01e08 Quackers (Doctor Odyssey), Unplanned Pregnancy, Abortion, Comfort, Comfort/Angst, Cuddling
Words: 2,316


Summary:

Avery decides not to keep the pregnancy.



When that mid-season cliffhanger aired, I knew the showrunners wouldn't let Avery keep the baby, just as I knew that the network would never let her have an abortion. Which pissed me off. So here's my "fuck you, let that woman have an abortion" fic.

Substantially delayed, because researching the practicalities of abortion in 2025 US-of-fucking-A was as depressing as hell.

Thanks to [personal profile] phoenixfalls, [personal profile] bookherd, [personal profile] beanarie, and [personal profile] grrlpup for encouragement and assistance!


I have SO MANY ship icons and NOT ONE that is appropriate for this post. Here, have the Lydia, who "so graceful and willing when under sail, was a perfect bitch when being towed." May we all be perfect bitches while being towed!
rachelmanija: (Default)
rachelmanija ([personal profile] rachelmanija) wrote2025-08-25 12:14 pm
Entry tags:

Fic in a Box Letter

Full letter to come!

Thank you for writing for me! If you have any questions, please check with the mods. I am a very easy recipient and will be delighted with whatever you write for me. I have no special requirements beyond what's specifically stated in my DNWs. I'm fine with all POVs (i.e., first, second, third), tenses, ratings, story lengths, etc.

My AO3 name is Edonohana. I am open to treats. Very open. I love them.

I like hurt-comfort, action/adventure, horror, domestic life, worldbuilding, evocative descriptions, camaraderie, loyalty, trauma recovery, difficult choices, survival situations, mysterious places and weird alien technology, food, plants, animals, landscape, X-Men type powers, learning to love again or trust again or enjoy life again, miniature things or beings, magic, strange rituals, unknowable things, epistolary fiction, found footage/art/creepy movies/etc, canon divergence AUs anf alternate versions of characters. And many other things, too, of course! That list is just in case something sparks an idea.

Opt-in Tags )

General DNWs )

Caught in Crystal - Patricia Wrede )

Dark Tower - Stephen King )

Dragonriders of Pern - Anne McCaffrey  )

Marvel 616 )

Piranesi - Susanna Clarke )

The Stand - Stephen King )
umadoshi: (pretty things & clever words (iconriot))
Ysabet ([personal profile] umadoshi) wrote2025-08-24 10:54 am

Weekly proof of life: media intake and some boggling over actors

Reading and watching: [personal profile] scruloose and I have made some more progress on listening to Rogue Protocol, albeit not a huge amount; this is not helped by the fact that for some reason this book is a bit glitchy on Hoopla (every now and then a few [?] words just get skipped).

I'm lumping all of my media intake together this week because I seem to be in/have been in an "only really focusing on a show or a book" phase, so I didn't start reading anything new until I'd finished watching Glass Heart. I really liked it! No fannish feelings at this time, but it was a lot of fun.

And then I watched this behind-the-scenes video, which has left me absolutely agog over the fact that none of the TENBLANK actors knew how to play their characters' instruments at all. My brain is shattered by this information. I've never been all that close to Being A Musician (and the only way in which I came at all close was as a singer), so I'm not looking at what they're doing with a professional eye and I realize that it may look rather less convincing to people who actually do play those instruments, but.

[ETA for badly-needed clarification: It's not that the main cast in this show are faking playing the instruments. It's that none of them are musicians at all, and they learned to play the specific material for the show well enough to visually pass not only as being able to play but as being very good (the male lead is explicitly a musical genius), with full shots of them doing bits of it rather than having body doubles or clever cuts or anything, AND doing some pretty heavy-lifting acting at the same time. (What I don't know is whether their performances pass as looking professional to actual professional musicians, but one of the supporting cast is an actual singer and seems pretty impressed with it.)]

(I've now showed [personal profile] scruloose and Ginny and Kas the opening of episode 8, which is a flashback to two of the characters meeting after one sees the other playing. If you have Netflix and want a quick non-spoilery look at what this looks like, check that bit out. The guy in the hoodie is the male lead, played by Satoh Takeru, who also executive produced this show. Having seen him pull off playing Himura Kenshin plausibly, I should perhaps not be this dumbfounded by watching him play a musician, but here we are.)

Anyway! Since finishing that drama, I've read KJ Charles' Any Old Diamonds and Jordan L. Hawk's The Forgotten Dead and am now reading These Burning Stars (Bethany Jacobs). I also currently have a non-fiction read on the go: Warmth: Coming of Age at the End of Our World (Daniel Sherrell).

And cutting back to watching things, I've also now seen a few episodes (three?) of K-foodie meets J-foodie on Netflix, in which two passionate foodies, one from Japan and one from Korea, eat a lot of delicious things together. The bit I've seen has been entirely in Japan, but I assume some episodes (or possibly the second season?) will be in Korea.
umadoshi: (Newsflesh - he'll kill you (kasmir))
Ysabet ([personal profile] umadoshi) wrote2025-08-21 03:55 pm

FIC (link):Newsflesh ([incomplete] canon-divergence AU) - "(I cannot) touch her, make her conscious"

(I cannot) touch her, make her conscious [Or, the eternal WIP where things go very, very differently near the ending of Feed] (15393 words) by umadoshi
Chapters: 1/1
Fandom: Newsflesh Series - Mira Grant
Rating: Mature
Warnings: No Archive Warnings Apply
Relationships: Georgia Mason/Shaun Mason
Characters: Georgia Mason, Shaun Mason, Mahir Gowda
Additional Tags: POV First Person, Adopted Sibling Incest, Canon Divergence, Abandoned Work - Unfinished and Discontinued, incomplete but not a WIP, as finished as it's getting
Summary:

In which Shaun learns something significant late in Feed that he canonically doesn't find out until Deadline, and everything goes very (very, very) differently.



I started writing this canon-divergence AU a looong time ago, and I've likewise known for a long time now that I was never going to finish it--partly because Newsflesh hasn't been my primary fandom for several years, and partly because of how much plotting it was going to take to do it to my satisfaction. This parts ways with the series canon toward the end of Feed, and thus everything that happens to the main characters in Deadline and Blackout would never have happened, but all the political machinations and truths about the virus were still things that would have to be played out and...yeah.

But the emotional arc of this story, most of which I did get written down, is some of my favorite writing I ever did in this fandom; I kinda think that if I'd ever managed to assemble an intact story, it would be among the things I'd be proudest of.

I've decided to post it anyway, because what else would there be to do with it? So this is the heart of it--a bit fractured and strung like beads along a thread of story, but all there. Please ignore any minor wobbliness in the timeline/internal continuity, 'kay? And towards the end, I've left in a few plottier bits to give some idea of where this would have gone as an intact story.

This should make sense if you've only read Feed, but it does include one of the series' largest spoilers and hint at another one (both revealed in Deadline in canon).

And the standard notes: this is unbetaed, and the title comes from Linda Gregg's poem "There She Is".
umadoshi: (Tohru & the pretty boys (flamika))
Ysabet ([personal profile] umadoshi) wrote2025-08-19 04:12 pm

Next-gen Fruits Basket fans

Over the last...several months?...[personal profile] wildpear introduced Pumpkin and (to different extents) a couple of other teenagers to Fruits Basket. Pumpkin got the double anime experience, starting with the 2001 anime and then going on to the 2019 anime, and while they were still working their way through the latter, they also restarted it to show it to two different people, including M, Pumpkin's agemate among our local friends' kids. Throughout, [personal profile] wildpear texted me intermittent reaction updates, which was a delight.

Now that they're all finished (on the anime front), [personal profile] wildpear brought Pumpkin and M over for an intergenerational fandom yard hangout last week! (Of the 2001 anime, M has only seen the very ending, in a sort of "must know what the horror actually is". For anyone who doesn't know, the original anime is mostly really charming and has a lot going for it, with most of its weaknesses being pretty understandable given when it was made and where the manga was at that point, but its ending is a straight-up travesty and an abomination.)

Jumping ahead a bit: you may notice the absence of the manga in the above, which has now been resolved! I initially had been like, "Well, I have a lending set, and its day has come!", but by the time the visit actually happened and I'd unearthed said set (a combination of the five 2-in-1 hardcover volumes Tokyopop managed to release, and the rest of the series in the standard Tokyopop edition), I'd talked sense into myself and decided to make it a gift instead. I'm not actually sure the lending set had ever gone out of the house (other than [personal profile] wildpear, the only person who'd ever read my hard copy was my sister, and that predated the lending set, IIRC), and I didn't honestly need four sets* in the house, even if one of them is in Japanese. So that box has gone off into the world, and while I warned everyone that manga spines aren't as sturdy as anyone would like, they don't have to worry about keeping the books pristine for me.

Anyway! Seeing the three of them was lovely. cut! )
rachelmanija: (Books: old)
rachelmanija ([personal profile] rachelmanija) wrote2025-08-18 01:08 pm

The Disaster Days, by Rebecca Behrens



13-year-old Hannah, who lives on a tiny island off Seattle, is excited for her first babysitting job. Then a giant earthquake hits, cutting the island off from the mainland... and leaving Hannah alone in charge of two kids in a devastated landscape.

Hannah is not having a good day. She was recently diagnosed with asthma, forcing her to drop out of soccer and always carry an inhaler. Her best friend Neha, a soccer star, is now hanging out more with another soccer girl than with Hannah. Hannah forgets to bring her inhaler with her to school, and her mom doesn't turn around the car to get it as Hannah is desperate not to be late. When she arrives for her babysitting job after school, minus her inhaler (no doubt looming ominously on the mantelpiece at home, along with Chekhov's gun), she gets in a huge fight with Neha over text and the girls say they no longer want to be friends...

...just as a giant earthquake hits! Hannah gets her charges, Zoe and Oscar, to huddle under a table (along with their guinea pig) and no one is injured. But the windows break, the house is trashed, and the power, internet, and phones go out. The house is somewhat remote, an all-day walk from the next house. What to do?

Hannah is a pretty realistic 13-year-old. She's generally sensible, but makes some mistakes which are understandable under the circumstances, but have huge repercussions. She enlists the kids to help her search for her phone in the wreckage of the house, and Zoe immediately is severely cut on broken glass. The kids freak out because their mom (along with Hannah's) is on the mainland, and Hannah calms them down by lying that she got a text from their mom saying that she's fine and is coming soon. The next morning, she lets Oscar play on some home playground equipment. Hannah checks the surrounding area, but doesn't check the equipment itself. It's damaged and breaks, and Oscar breaks his leg. So by day one, Hannah is having asthma attacks without her inhaler, Zoe has one arm out of commission, Oscar is totally immobilized, and there's no adults within reach.

Well - this is a HUGE improvement on Trapped. It's well-written and gripping, the events all make sense, and the characterization is fine. It was clearly intended to teach kids what can happen during a big earthquake and how to stay as safe as possible, and the information presented on that is all good.

But - you knew there was a but - as an enjoyable work of children's disaster/survival literature, it falls short of the standards of the old classic Hatchet and the excellent newer series I Survived.

The basic problem with this book is that it has a very narrow emotional range. For the entire book, Hannah is miserable, guilty over her friend breakup and the kids getting hurt, worried about her parents, and desperately trying to keep it together. The kids get hurt so seriously so early on that they never have any fun. Even when Hannah tries to feed them S'Mores to cheer them up, nobody actually likes them because they're not melted!

The I Survived books have much more variety of emotional states and incidents, as typically the actual disaster doesn't happen until at least one-third of the way into the book. The kids have highs and lows, fun moments and despairing moments and terrifying moments. This book is all gloom all the time even before the disaster! Hannah eventually saves everyone, is hailed as a hero, and repairs her friendship, but we don't get that from her inner POV - it's in a transcript of a TV interview with her.

The information provided in the book is very solid, but I would have preferred that it didn't have BOTH kids get injured because of something Hannah does wrong. (That is not realistic! ONE, maybe.) It also would have been a lot more fun to read if the kids' injuries were either less serious or occurred later. The situation is desperate and miserable almost immediately, and just stays that way for the entire book.

Still, there's a lot about the book that's good and there should be an entertaining book that provides earthquake knowledge, so I'm keeping it. But I'm not getting her other book about two girls lost in the woods.
umadoshi: (fancrone - china_shop)
Ysabet ([personal profile] umadoshi) wrote2025-08-17 10:56 am

Weekly proof of life: mostly media

Reading: [personal profile] scruloose and I finished listening to Artificial Condition and have started Rogue Protocol (but only barely--we've listened to however much of chapter 1 we could get in over supper on Friday before [personal profile] scruloose had to be doing something else).

We'll Prescribe You a Cat (Syou Ishida) was a very quick read and hard for me to pin down. It's a story in the vein of "~mysterious~ place provides X [often wishes granted or strange/deadly creatures, as in xxxHOLiC or Pet Shop of Horrors], but the actual cats being prescribed mostly appear to be just ("just") cats. I think this is the first in a series. Alas, I find the prose of the translation awfully flat, and can only hope I would've found the book more engaging in different hands.

I also read The City in Glass, which was my first time reading Nghi Vo. Gorgeous prose, a neat concept, and a great read overall.

Watching: We're six episodes into The Summer Hikaru Died (which is, I suppose unsurprisingly given the premise, touching on a significant existential question from Newsflesh [and from plenty of other places]). It continues to be very good. ^_^

I think we also saw an ep. of Silo sometime last week.

And on Friday I started watching Glass Heart on my own. As so often turns out to be the way, choosing it from my horrifying to-watch list was mostly random. Sometimes the choice is made simply because something is short (ten episodes, in this case) and I've seen several friends talking about it very recently. I'm six episodes in now.

I knew going in that Machida Keita is in it (who I knew only from Cherry Magic). I did not know in advance that Satoh Takeru is one of the leads, and then couldn't place him until I caved and looked up the cast. (He played Kenshin in the live-action Rurouni Kenshin movies [of which I've still only seen the first], and was impossibly good in the role. I keep meaning to rewatch the first and watch the others, despite my feelings about the franchise overall being irrevocably poisoned now by the horrible revelations about the creator. I still need to offload my set of the manga. >.<)

Weathering: The drought continues. Parts of the province are on fire, although the uncomfortably-close-to-me wildfire is under control, last I heard.

Planning: We don't have tickets yet, because there aren't yet showtimes for it, but the plan is to see Dongji Rescue late in the week. *fidgets*
rachelmanija: (Books: old)
rachelmanija ([personal profile] rachelmanija) wrote2025-08-16 03:31 pm

Tiny House, Big Fix, by Gail Anderson-Dargatz



Of the MANY bait-and-switch books I've been tricked into reading, this takes the prize for the biggest switch. The back cover says it's about a single mom carpenter who builds a tiny house for herself and her daughters to live in. The title is about tiny houses. There is a tiny house on the cover. I read the book because I thought it would be about building a tiny house.

The book is actually about the events leading up to her building the tiny house. She doesn't build the tiny house until the LAST CHAPTER. It takes up about four pages.
rachelmanija: (Books: old)
rachelmanija ([personal profile] rachelmanija) wrote2025-08-15 09:52 am

Trapped, by Michael Northrop



Seven teenagers get trapped in their high school during a blizzard when they miss the bus that evacuated the rest of the school.

This was easily the worst book I've read all year, and I've read some doozies. I read it because I'd bought a copy for the shop for the niche of "children's/younger YA survival books for kids who've already read all of Gary Paulson and "I Survived."" I am going to return it to the publisher (Scholastic, which should be ashamed of itself) forthwith, because it is AWFUL.

Why is this book so bad?

1. It's incredibly misogynist. The narrator, Scotty Weems, is constantly thinking of girls in a gross, slimy, objectifying way.

The two girl characters, who get trapped in the high school along with five boys, never do anything useful. One's entire personality is "hot" and every time she's mentioned, it's with a gross leering description of her body. The other girl's entire personality is "hot girl's friend."

2. The characters have exactly one characteristic each, and even that one often gets forgotten, to the extent that I kept mixing up "normal boy" with "mechanically inclined boy." The others are "dangerous boy" and "weird boy." The latter gets downgraded to "not actually weird, just funny" (as in makes one supposedly humorous comment once.) We get no insight into them, their backstories, their home lives, etc, because none of them ever really talk to each other about anything interesting despite being trapped together for a week!

3. SO MANY gross descriptions of pimples, peeing, and pooping.

4. The book is boring. No one does anything interesting on-page until the second to last chapter, when it FINALLY occurs to Scotty to make snowshoes. Most of the book is Scotty's inner monologue about pimples, pooping, peeing, and hot girls. The kids barely interact!

5. The kids keep saying that help won't come because no one even knows they're missing, but that makes no sense. Every single one of them was supposed to get picked up. It's never explained why SEVEN DIFFERENT FAMILIES wouldn't notice that their kids never came home.

6. The incredibly contrived scene where Best Friend Girl comes staggering in screaming and disheveled, repeating, "Les, Les!" This is the name of Dangerous Boy. One of Indistinguishable Boys assumes Les sexually assaulted her and runs out and attacks Les. Best Friend Girl recovers enough to explain that she went to a room and it was dark and cold and she got lost, and she was trying to say there was LESS light and heat there. Because that's what you'd naturally gasp out when freaking out, instead of, say, "Dark! Cold!"

I feel like the existence of this scene in a PUBLISHED BOOK lowered the collective intelligence of the universe by at least half a point.

7. No interesting use is made of the school setting. The kids open their own lockers to get extra clothes and snacks, find pudding and canned peaches in the cafeteria, and spend the rest of the time silently huddled in classrooms, occasionally checking their useless cellphones that don't have any signal. Toward the end, they start a fire, and then, OFF-PAGE, construct a snowmobile (!).

Things they don't do: Break into other kids' lockers in the hope of finding useful stuff. Attempt to cook the cafeteria food. Search the library for survival tips. Get mats from the gym so they're not sleeping on freezing floors. Search classrooms and the teacher's lounge for useful stuff. Have a pick-up ball game to keep warm. Find ways of entertaining themselves without cell phones. HAVE GETTING TO KNOW YOU CONVERSATIONS - WHAT IS THE POINT OF DOING THE BREAKFAST CLUB WITHOUT THIS?

Spoilers! Read more... )

Truly terrible.

ETA: I just discovered that it went out of print soon after I purchased it (GOOD) and so is not returnable (DAMMIT).
sanguinity: woodcut by M.C. Escher, "Snakes" (Default)
sanguinity ([personal profile] sanguinity) wrote2025-08-15 09:29 am

Having a White Cockades moment...

From Carolly Erickson's Bonnie Prince Charlie: A Biography (1989), an excerpt about the aftermath of BCP's 1748 arrest in Paris:

While Daniel O'Brien, Charles's "confidential valet" looked on to prevent breakage and theft, the soldiers searched the house and locked up the contents, including furnishings, plate, silver, papers, swords and guns (twenty-five muskets and thirty-four pistols—an arsenal indeed). In the process they turned out five miscellaneous persons who had been enjoying Charles's hospitality: three indigent Britons, one a refugee from the rebellion, a manservant and sometime wigmaker, and a fifteen-year-old Scottish boy whom Charles had taken in out of kindness. (p.246)


*gasps* Andrew Boyd, is that you???

Heh, no, I know Andrew was sixteen the summer after Culloden, which would make him eighteen, maybe even nineteen, when BCP was arrested.

(For those not in the know, this post is a spoilery reference to Edward Prime-Stevenson's 1887 novel, White Cockades: An Incident of the Forty-Five.)
rachelmanija: (Books: old)
rachelmanija ([personal profile] rachelmanija) wrote2025-08-14 10:30 am

Hominids, by Robert Sawyer



A Neanderthal from an alternate universe where Homo Sapiens went extinct and Neanderthals lived into the present day is sucked into our world due to an experiment gone wrong. The book follows his interactions with humans in one storyline, and the repercussions in Neanderthal World in another.

I picked up this book because I like Neanderthals and alternate dimensions that aren't about relatively recent history (ie, not about "What if Nazis won WWII?"). The parts of the book that are actually about Neanderthal World are really fun. It's a genuinely different society, where men and women live separately for the most part, surveillance by implanted computers prevents most crime, mammoths and other large mammals did not go extinct, there are back scratching posts in homes, they wear special eating gloves rather than using utensils or eating barehanded, etc. This was all great.

The problem with this book was everything not directly about Neanderthal society. Bizarrely, this included almost the entire plotline on Neanderthal World, which consisted of a murder investigation and trial of the missing Neanderthal's male partner (what we would call his husband or lover), which was mostly tedious and ensured that we see very little of Neanderthal society. The Neanderthal interactions on our world were fun, but the non-Neanderthal parts were painful. There is a very graphic, on-page stranger rape of the main female character, solely so she can realize that Neanderthal dude is not like human men. There's two sequels, which I will not read.

It got some pretty entertaining reviews:

"☆☆☆☆☆1 out of 5 stars.
No. JUST NO.
I am sorry, but the premise of inherently and innately peaceful cultures with more advanced technology than conflict-driven cultures is patently absurd. Read Alistair Reynolds' Century Rain for an examination of how technological advancement depends on strife: necessity is the mother of invention, and the greatest necessity of all is fighting for survival. I will not be lectured for my male homosapien hubris by a creature that would never have gotten past the late neolithic in technology."

Hominids won a Hugo! Here are the other nominees.

1st place: Hominids by Robert J. Sawyer (Canadian)
2nd place: Kiln People by David Brin (American)
3rd place: Bones of the Earth by Michael Swanwick (American)
4th place: The Scar by China Miéville (British)
5th place: The Years of Rice and Salt by Kim Stanley Robinson (American)

Amazingly, I have read or attempted to read all of them. My ratings:

1st place: Bones of the Earth by Michael Swanwick (American)
2nd place: The Scar by China Miéville (British).
3rd place: The Years of Rice and Salt by Kim Stanley Robinson (American)
4th place: Hominids by Robert J. Sawyer (Canadian)
5th place: Kiln People by David Brin (American)

If I'd voted, it would be very close between Bones of the Earth and The Scar, both of which I loved. I made a valiant attempt at The Years of Rice and Salt. Like all of KSR's books, I'm sure it's quite good but not for me. I know I read Kiln People but recall literally nothing about it, so I'll give Hominids a place above it for having some nice Neanderthal stuff.

The actual ballot is a complete embarrassment.
cofax7: climbing on an abbey wall  (Default)
cofax7 ([personal profile] cofax7) wrote2025-08-13 07:33 pm
Entry tags:

reading Wednesday

Just Finished:. Gifts by Ursula LeGuin, the first of the Annals of the Western Shore. A re-read, but it had been probably 15 years since I first read it, so it was good to visit again. Such creativity, such a wonderful voice, such marvelous characters, even if so much of the content is grim (as it involves using supernatural gifts for power and violence). Good stuff.

Now reading: Voices, the 2nd of the Annals. And The Black Sheep by Georgette Heyer, on audio. This one is remarkably charming and I am definitely enjoying it.

Up next: The Scarlet Pimpernel, for book club (on audio from Librivox), and Powers, the finale of the Annals of the Western Shore.

****

Today I was in a meeting with many people from around the organization, strategizing on how to spend $100M, and there were 10 people on the call and I was the only woman. Joy.

I had takeout Thai on Sunday when I hosted two friends, and ended up with a small container of leftover peanut sauce. So tonight I mixed it with extra olive oil, garlic, rice vinegar, and peanut butter, and stretched it enough to make it into salad dressing. Very tasty! I recommend.

In a few minutes I have to get up and make a tray of dessert for the division summer BBQ on Friday. I think I shall probably make these.

Work is entirely out of control. Apparently I could ask for OT for some of this work but I just cannot bring myself to do any more than I have the time to do in a 40-hour week. And if not enough gets done, well, that's just not my problem.
rachelmanija: (Books: old)
rachelmanija ([personal profile] rachelmanija) wrote2025-08-13 10:36 am

The Journey, by Joyce Carol Thomas



This is one of the most unusual books I've ever read. And if you've been reading my reviews for a while, you know what a strong statement that is. Here's the buries-the-lede back cover:

The town's teenagers are dying. One by one they are mysteriously disappearing but Meggie Alexander refuses to wait in fear. She and her boyfriend Matthew decide to get to the bottom of all the strange goings-on. And they discover a horrible secret.

Now someone is stalking them - but who? There's only one thing that can save Meggie now - the stories a tarantula told her as a baby.


Bet you weren't expecting that, huh?

This was a Scholastic novel from 1988. I'd seen other Thomas novels in that period but never read them, because they all looked like depressing historicals about the black experience - the one I recall seeing specifically was Touched by Fire. I sure never saw this one. I found it in the used children's section of The Last Bookstore in downtown LA.

Any description of this book won't truly convey the experience of reading it, but I'll give it a shot. It starts with a prologue in omniscient POV, largely from the POV of a talking tarantula visiting Meggie soon after she's born, chatting and spinning webs that tell stories to her:

"I get so sick and tired of common folk trying to put their nobody feet on my queenly head. Me? I was present in the first world. Furthermore," the spider boasted, squinting her crooked eyes, "I come from a looooong line of royalty and famous people. Millions of years ago I saw the first rainbow. I ruled as the Egyptian historical arachnid. I'm somebody."

As I transcribe that, it occurs to me that she shares some DNA with The Last Unicorn's butterfly.

The prologue ends when Meggie's mother spots the spider and tries to kill her, believing her daughter is in danger. Chapter one opens when Meggie is fifteen. Briefly, it feels like a YA novel about being black and young in (then)-modern America, and it kind of is that, except for the very heightened writing style, including the dialogue. Thomas is a poet and not trying to write in a naturalistic manner. It's often gorgeous:

She ended [the sermon] with these resounding words falling quiet as small sprinklings of nutmeg whispering into a bowl of whipping cream.

The milieu Meggie lives in is lived-in and sharply and beautifully drawn, skipping from a barbershop where customers complain about women preaching to a quick sketch of a neighborhood woman trying to make her poor house beautiful and not noticing that its real beauty lies in her children to Meggie's exquisitely evoked joy in running. And then Meggie finds the HEADLESS CORPSE of one of her classmates! We check in on a trio of terrible neighbors plotting to do something evil to the town's teenagers! The local spiders are concerned!

This book has the prose one would expect to find in a novel written by a poet about being a black teenager in America, except it's also about headless corpses and spider guardians. It is a trip and a half.

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I am so glad that Thomas wrote this amazingly weird novel, and that someone at the bookshop bought it, and that I just happened to come in while it was on the shelf. It's like Adrian Tchaikovsky collaborated with Angela Johnson and Lois Duncan. There has never been anything like it, and there never will be again. Someone ought to reprint it.